Knowledge / Archive
calivapeuk@gmail.com
UK Music Royalties Explained for Drum & Bass Producers
One release can generate several distinct income streams. Separate the composition from the recording and keep registrations consistent.
How to Use EQ for Drum & Bass DJ Transitions and Double Drops
Beatmatching keeps tracks in time; EQ decides which parts dominate. Learn controlled bass exchanges and clearer layered drops.
How to Make a Drum & Bass Lead Sound in Serum 2
Create a versatile lead from an initial patch, then shape its attack, movement, stereo image and effects for different sections.
Saturation and Distortion in Drum & Bass Production
Distortion can create weight and translation, but input level, processing order and contrast determine whether it helps the mix.
How to Create a Drum & Bass Artist EPK That Gets Read
An EPK saves industry contacts time by putting accurate music, story, assets and booking information in one organised place.
How to Collaborate on Drum & Bass Tracks Remotely
Protect the creative process with collected files, clear handovers, compatible exports and early agreements about responsibilities and rights.
How to Make Drum & Bass Sub-Bass Notes Sound Even
Sub notes can vary even with identical MIDI velocity. Identify whether the cause is musical, technical or acoustic before applying boosts.
Compression in Drum & Bass Production
Compression changes dynamics and envelope. Learn to hear what it is doing before using it automatically on every channel.
How to Send Drum & Bass Demos to Record Labels
A strong demo submission makes it easy for the right label to hear the right music and understand who created it.
How to Beatmatch Drum & Bass by Ear
Beatmatching is the combination of tempo matching, beat alignment and phrase awareness. Practise each skill separately before combining them.